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The Valley: America’s First Serial Killer

Jeff Merrion gives an oral history of the country’s first serial murderer whose legend has been doomed to obscurity.
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The Valley: The Rio Grande Rift

Jeff Merrion dissects a century of tension between the San Luis Valley’s inhabitants and those who come from the outside to gawk.
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The Valley: Strange Attractors

In his new travel series, Jeff Merrion explores San Luis Valley, a land known for flat terrain, bizarre locals, and unexplained animal mutilations.
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Xiu Xiu: The Failed Experiment
Jeff Merrion lays out his case against the dissonant, disturbed indie pop of Jamie Stewart’s Xiu Xiu.
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Halloween Costumes That Would Never Sell
In his free time, Jeff Merrion likes to design children’s costumes that are horribly offensive and tasteless.
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The Only Three Questions
Can you figure a person out solely by what they like? Jeff Merrion appraises our judgmental generation with a pop culture personality test.
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What We Sacrifice to the Golden Idol of Political Correctness
How much distance has grown between reality and its depiction in American pop culture? Jeff Merrion laments the widening gap between what we experience every day and what we see on TV.
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Through the Wasteland
Jeff Merrion braves a desolate Wyoming landscape to reach the fabled California coast by car.
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The Innuendo of R. Kelly
In light of R. Kelly’s recent acquittal on all fourteen counts of child pornography, venerable musical scholar Jeff Merrion examines the subtlety and grace of the R&B star’s work.
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Reconsidering the Clown Effect
Social critic Jeff Merrion takes another look at the juggalo subculture surrounding the Insane Clown Posse and examines the positive aspects of this community.
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“Work Like a Mexican”: A Chronicle of My Life as a Landscaper
120 lbs. bodybuilder Jeff Merrion tries his hand at manual labor and discovers that physical exertion is hard, his employer is a racist, mold is gross, and that an imaginary Conor Oberst is laughing at him.
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Hitting the Big Time
By day, Jeff Merrion is a mild-mannered writer for the Bureau; by night, he performs mild-mannered acoustic folk music. Even still, he knows a villain when he sees one and reveals Big Time Entertainment for what they really are: scammers.